For the first handmade brief in the handmade specialism we were required to select a british bird, I chose the waxwing. I began this project by experimenting with spraypaints, so I created a stencil which would involve two colours.
The next stage we moved on to producing a group display using vinyl. From the 3 colours available (white, pale blue and brown) we hand cut our designs and formed a scenery of the birds. It was important that the whole piece merged together, and did not look like individual outcomes. I was involved in incorporating my design in a woodland scene with a mixture of other birds produced by other people. The process of this workshop took longer than we thought it would, because of the consistent development.
Above is a photograph of the planning process.
This is my design of the waxwing
The final outcomeThroughout this project I have involved my textile skills, as it is one of my strengths. My sketchboook reveals a number of small experiments, from painting to delicate hand stitching. I discovered a new method of generating an image, using a needle I pierced paper to make the image visible. This idea came from pointillism- one of my high interests. At the time of doing this the fairy lights in my room shone through the holes of the paper, which then gave me the idea of my final outcome.
Above I chose sections of the waxwing that still made it obvious that it is a bird. This piece is a3 size, and the light is shining through the holes. Photographing handmade work doesnt capture the whole essence of the work. I enjoyed constructing this style because the end result is effective, the time and effort is expressed in the detail, and the sharp texture created by the pin pricks adds more interest.
Above is another piece which slightly differed from the previous pieces, because I have used a range of dots. The larger holes where more difficult to make.
To conclude this project I produced a cover for Vice magazine: